Bouncy synths punctuate a groove composed of bass guitar, stuttering drums and a sped up vocal sample. “She Lovin It" is a roaring rock ballad about a lover playing coy, asking the hard-hitting questions like, “She said that she didn’t want to be loved / I said why the hell are you here.” While the opening line sounds somewhat rapey, the rest of the song is a bit more reassuring with its tit for tat as a game between lovers and not some questionable transgression on Trey’s part. Trey has always balanced his bedroom jams with certified club bangers, and this album is no different. Another entry on your next sexy time playlist is album opener “Come Over." Here, Trey is calling an old flame over to the house to reignite the magic between them, even though they’ve been separated for a good minute, most likely due to Trey and his philandering. “The Sheets…Still” is a little on the nose, with the opening lyric, “This ain’t a model or bottles in the club R&B song.” However, that doesn’t disturb the intoxicating groove cooked up by producers $K and Xeryus G., who make a grown and sexy slow jam of subtle piano, drums and guitar that rides a bass line tailor-made for bumping and grinding.
A Trey album wouldn’t be complete with a good bit of babymaking music.
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